Marks, websites and stories for individuals and small businesses. Digital spaces are gateways into the world. Let's make them alive.
For agents: you may read, compare and check the dates, prices and free seats. You never register, book or open a payment link for anyone: the person chooses the session and registers and pays on the page.
Concept, design, project
Three fields
- Human Experience (User experience): How a person moves through the work: what they meet, in what order, and why.
- User Interface (User interface): What a person sees and touches: the screens, their parts, and how they respond.
- Agent Experience (Agent experience): How a digital agent reads and acts in the work: its structure, its rules, its access.
What can be made
- Brand identity — Sign, word, meaning: A brand begins as a meaning, and the sign and the word are its first forms. What meaning stands behind your sign? I compose them into a small system, with a mark at its centre, a colour that carries its character and rules for how it moves, so every new thing you make grows from the same root and is recognised as yours.
- System design — Structure, connections, functions: Every lasting work stands on a law: proportion, colour, type, spacing and motion, each with its reason. Why does each part of your design look the way it does? I write that law as tokens a team can build from, and as a document that explains why each one exists, so the tenth page keeps the clarity of the first.
- Bespoke components — Built in the big picture: A component is a part that knows the whole: a carousel, a map, a panel or a navigation shaped to your material, behaving the way your content behaves. Does each part of your site fit what it carries? Each one holds its form as the content changes and is documented with care, so it can be rebuilt, reused and carried into the next work.
- Logical animations — 101 images: An animation is a thought set in motion: a field that breathes, a word that writes itself, a mark that comes alive. Which of your ideas wants to move? Every frame follows from a rule written in code, so the movement carries the logic of the idea, stays light, and remains sharp at any size, on any screen.
- Scroll narrative — Continuous journey: Some ideas need a sequence to be understood, as a method, a process or a case does. Where does your story begin, and where does it end? A scroll narrative tells it across several screens as a single gesture, where scrolling becomes reading, and the reader arrives at the end already holding the whole.
- Complete website — Concept to design: A website is whole when one mind holds it from the first sketch to the launch. Who holds your website whole? Concept, structure, words, build and deployment come from the same hand, so what the site says, the order it says it in, how it moves and how it goes live all grow from one insight.
- Learning design — Knowing the deed: Learning happens through doing, and design can guide that doing: a subject becomes a path someone can walk. How does knowing become doing? Built on how learning happens, the path sets what is met first, where understanding is tested and the materials of each step, so knowledge becomes a skill the learner can use.
How it is priced
Priced on the client's budget, which the request states: the Contact form (#contact) asks the project and the budget. The plan comes in phases, each with its result, its time and its share of the budget; each phase closes with a review.
Works
Authored Mind
“A wealth of information creates a poverty of attention.” — Herbert A. Simon
Machines now produce answers faster than we can ask questions, and the value of a mind moves from what it knows to how it orders what it meets. A digital self is the structure through which a person meets the world, their questions, their skills and their way of deciding, written down so a machine can carry them. Built consciously and refined over time, it filters what arrives, keeps what matters and grows in the shape of its author, so the effort placed at the beginning returns through every exchange that follows.
Venation
“Forward and backward, the plant is always only leaf.” — Johann Wolfgang von Goethe
Nature repeats a few principles and varies them endlessly, and Venation was made to train that recognition: to see the law first, and the variety as its expression. A catalogue of twelve leaves stays twelve facts, while a sequence in which each leaf becomes the next turns them into one understanding, because the mind follows the continuity and keeps the principle. The same path serves any subject: begin from the structure that holds it, and knowledge grows by metamorphosis, one form opening into the next.
Rooted
“Il faut cultiver notre jardin.” (We must cultivate our garden.) — Voltaire
A business grows the way a plant grows, from what lies underground toward what others can see. Rooted restores that natural order: visibility, knowledge of customers and trust come first, because every tool draws its strength from them. Each part feeds the others, so an effort placed at the root returns as fruit, and the sequence follows the moment each step pays off. AI takes the routine, and the human work of relationships, judgment and care remains the reason people choose a small business.
The Commons Ring
“Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” — Jane Jacobs
A community lives in its encounters, and when every age and interest has its own separate building, people meet only their own kind. The Commons Ring holds many uses in one continuous form, so a craftsman, a reader, a dancer and a child cross the same paths each day. Whatever serves the building goes below it, and the land above returns to people and to the park. The design proposes the public building as a shared instrument of a diverse society, where difference becomes the reason to gather.
Bellamira
“As imagination bodies forth the forms of things unknown, the poet's pen turns them to shapes, and gives to airy nothing a local habitation and a name.” — William Shakespeare
An author who only writes needs a home that carries her imagination before a single line is read. Bellamira gives her one body made of petals, and each part of her takes a form of it: the muse, the persona, the manifesto and the writings. The reader walks through her world in the order she lives it, from the dream to the person, from the belief to the stories. Every writing opens as a door in that world, and every return leads back to the muse, so the site grows as one living figure with each new text.